Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Pietro Longhi 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
43267		A Fortune Teller at Venice	mk170 circa 1756 Oil on canvas 59.1x48.6cm
43266		A Nobleman Kissing a Lady-s Hand	mk170 circa 1746 Oil on canvas 61.3x49.5cm
22759		Al Ridotto (mk21)	Olio su tela,60 x 47 cm Biblioteca del Museo della Fondazione Querini Stampalia,Venezia
70952		Besuch bei einem Lord	Medium Oil on canvas Dimensions Deutsch: 60,9 x 49,5 cm
89632		Besuch bei einem Lord	1746(1746) Medium oil on canvas cyf
85538		Besuch bei einem Lord, Detail	Date c. 1746(1746) Medium Oil on canvas cjr
87363		Besuch bei einer Dame	Date 1746(1746) Medium Oil on canvas Dimensions 60,9 x 49,5 cm cjr
92170		Besuch bei einer Dame	1746(1746) Medium oil on canvas Dimensions 60,9 X 49,5 cm cyf
89013		Besuch in der Bibliothek	c. 1741(1741) Medium oil on canvas Dimensions 59 x 44 cm cjr
92599		Casino	1720 - 1790 Medium oil on canvas Dimensions 85 X 101.5 cm (33.5 X 40 in) cjr
59669		Clara the rhinoceros	Clara the rhinoceros by Pietro Longhi, from 1751 (Ca' Rezzonico).
91815		Dame bei der Schneiderin	c. 1760(1760) Medium oil on canvas Dimensions 68 X 56 cm cjr
90197		Dame bei der Toilette	c. 1760(1760) Medium oil on canvas Dimensions 61 x 50 cm cjr
91814		Das Familienkonzert	c. 1752(1752) Medium oil on canvas Dimensions 62 X 50 cm cjr
90106		Das Rhinozeros	1751(1751) Medium oil on canvas cjr
75634		Der Apotheker	. 1752 Oil on canvas 60 ?? 48 cm cjr
77432		Der Apotheker	Date Deutsch: um 1752 English: c. 1752 Medium Oil on canvas Dimensions Deutsch: 60 ?? 48 cm cyf
91812		Der Friseur	c. 1760(1760) Medium oil on canvas Dimensions 63 X 51 cm cjr
89734		Der Jager und die Bauerinnen	c. 1750(1750) Medium oil on canvas Dimensions 60 x 48 cm cjr
87341		Der Scharlatan	Date 1757(1757) Medium Oil on canvas Dimensions 62 x 50 cm cjr
91802		Der Spaziergang zu Pferd	c. 1752(1752) Medium oil on canvas Dimensions 62 X 58 cm cjr
91854		Die Alchemisten	c. 1757(1757) Medium oil on canvas Dimensions 61 X 50 cm cjr
89470		Die Ankunft des Signore	1765-1770 Medium oil on canvas Dimensions 62 x 50 cm cyf
91801		Die Furlana	c. 1750(1750) Medium oil on canvas Dimensions 62 X 51 cm cjr
91800		Die Morgenschokolade	1775-1780 Medium oil on canvas Dimensions 60 X 47 cm cjr
91798		Die Polenta	c. 1740(1740) Medium oil on canvas Dimensions 61 X 50 cm cjr
91809		Die Schule der Arbeit	c. 1752(1752) Medium oil on canvas Dimensions 62 X 50 cm cjr
91808		Die Verkauferin der Essenzen	c. 1756(1756) Medium oil on canvas Dimensions 61 X 51 cm cjr
91840		Die Versuchung	c. 1750(1750) Medium oil on canvas Dimensions 61 X 49,5 cm cjr
91694		Die Wahrsagerin	c. 1752(1752) Medium oil on canvas cjr
2576		Exhibition of a Rhinoceros at Venice	c1751 National Gallery, London
56121		exhibition of a rhinoceros at venice	mk247 c.1751,oil on canvas,23.75x18.5 in,60.5x47 cm,national gallery,london,uk
23353		Exhibition of a Rhinoceros at Venice (nn03)	c 1751 Oil on canvas 60 x 47 cm 23 1/2 x 18 1/2 in National Gallery London
96870		Flora with Amor on a cloud	17th century Medium oil on canvas cyf
85123		Gemaldeserie	Date 1765-1770 Medium Oil on canvas Dimensions 62 x 50 cm cjr
93913		Gemaldeserie	1765-1770 Medium oil on canvas Dimensions 61 x 49,5 cm cjr
91807		Im Gemusegarten an der Flubmundung	c. 1759(1759) Medium oil on canvas Dimensions 62 X 50 cm cjr
45578		In the Gemusegarten at the Flussmundung	mk186 around 1759 Venice
89763		Kleines Konzert	1741(1741) Medium oil on canvas Dimensions 60 x 48 cm cjr
41208		Masked venetians in the Ridotto	mk157 c.1757 Biblioteca Querini Stampalis
30621		Masks in the Foyer	mk68 Oil on canvas Venice,Querini Stampalia Foundation c.1757 Italy
76408		Portrait of Francesco Guardi	1764(1764) Oil on canvas 132 ?? 100 cm (52 ?? 39.4 in) cjr
78275		Portrait of Francesco Guardi	1764(1764) Medium Oil on canvas Dimensions 132 x 100 cm (52 x 39.4 in) cyf
79516		Portrait of the family Sagredo	ca. 1752(1752) Oil on canvas 61 x 50 cm (24 x 19.7 in) cjr
81284		Portrat der Familie Sagredo	1752(1752) Medium Oil on canvas Dimensions 61 x 50 cm (24 x 19.7 in) cyf
76697		Portrat einer Patrizierfamilie	ca. 1752(1752) Oil on canvas 62 ?? 50 cm (24.4 ?? 19.7 in) cjr
79651		Portrat einer Patrizierfamilie	1752(1752) Medium Oil on canvas Dimensions 62 x 50 cm (24.4 x 19.7 in) cyf
89522		Portrat einer venezianischen Familie	1760-1765 Medium oil on canvas Dimensions 80 x 89 cm cjr
93912		Portrat einer venezianischen Familie	1760-1765 Medium oil on canvas Dimensions 80 x 89 cm cjr
59671		The Charlatan,	The Charlatan, 1757.
2575		The Confession	1755 Galleria degli Uffizi, Florence
29985		The Confession	mk67 Oil on canvas 24x191/2in Uffizi,
70957		The Confession	The Confession, Oil on canvas, 61 x 50 cm
59670		The Dancing Lesson	"La lezione di danza" (The Dancing Lesson), ca 1741, Venezia, Gallerie dell'Accademia.
45673		The geography hour	mk186 1752 Vendig, Fondazione Querini Stampalia
41150		The Hairdresser and the Lady	mk157 c.1760 Oil on wood 63x51cm
40549		The introduction	mk156 1740 Oil on canvas 66x55cm
20708		The Introduction (mk05)	Canvas 25 1/2 x 19 1/2''(65 x 50 cm)Assigned to the Louvre in 1950
41212		The Marriage	mk157 before 1755 Oil on canvas 62x50cm
89312		The Milliner	c. 1746(1746) Medium Oil on canvas Dimensions 61 x 49,5 cm cjr
45626		The Morgenschokolode	mk186 1775-80 Venice, Ca' Rezzonico
45508		The Polenta	mk186 around 1740 Venice, Ca-Rezzonico
31349		The Rhinoceros	nn07 1751 Oil on canvas, 62 x50 cm Ca' Rezzonico, Venice
33797		The Rhinoceros	mk86 c.1751 Oil on canvas 62x50cm Venice,Ca'Rezzonico
40558		The Rhinoceros	mk156 1751 Oil on canvas 62x50cm
45454		the school of the work	mk186 around 1752 Venice Ca-Rezzonico
29644		The Spice-vendor s shop	c. 1752 Oil on canvas, 60 x 48 cm
30616		The Spice-Vendor's Shop	mk68 Oil on canvas Venice,Accademia Gallery c.1752 Italy
30617		The Spice-Vendor's Shop	mk68 Oil on canvas Venice,Accademia Gallery c.1752 Italy
33798		The Tooth-Puller	mk86 c.1746-1752 Oil on canvas 50x62cm Milan,Pinacoteca di Brera
45670		The visit in the lord	mk186 1746 New York, Metropolitan museum
41151		Visit of the Bauta	mk157 c.1760-70 Oil on wood 62x50cm

Pietro Longhi

1702-1785 Italian Pietro Longhi Galleries Pietro Longhi was born in Venice in the parish of Saint Maria, first child of the silversmith Alessandro Falca and his wife, Antonia. He adopted the Longhi last name when he began to paint. He was initially taught by the Veronese painter Antonio Balestra, who then recommended the young painter to apprentice with the Bolognese Giuseppe Maria Crespi, who was highly regarded in his day for both religious and genre painting. He was married in 1732 to Caterina Maria Rizzi. Among his early paintings are some altarpieces and religious themes. In 1734, he completed frescoes in the walls and ceiling of the hall in Ca' Sagredo, representing the Death of the giants. Henceforward, his work would lead him to be viewed in the future as the Venetian William Hogarth, painting subjects and events of everyday life in Venice. The gallant interior scenes reflect the 18th century's turn towards the private and the bourgeois. Many of his paintings show Venetians at play, such as the depiction of the crowd of genteel citizens awkwardly gawking at a freakish Indian rhinoceros (see image). This painting chronicles Clara the rhinoceros brought to Europe in 1741 by a Dutch sea captain and impresario from Leyden, Douvemont van der Meer. This rhinoceros was exhibited in Venice in 1751. There are two versions of this painting, nearly identical except for the unmasked portraits of two men in Ca' Rezzonico version. Ultimately, there may be a punning joke to the painting, since the young man on the left holds aloft the sawed off horn (metaphor for cuckoldry) of the animal. Perhaps this explains the difference between the unchaperoned women. Other paintings chronicle the daily activities such as the gambling parlors (Riddoti) that proliferated in the 18th century. In some, the insecure or naive posture and circumstance, the puppet-like delicacy of the persons, seem to suggest a satirical perspective of the artists toward his subjects. Nearly half of the figures in his genre paintings are faceless, hidden behind Venetian Carnival masks. Like Crespi before him, Longhi was commissioned to paint seven canvases documenting the seven Catholic sacraments. Longhi is well-known as a draughtsman, whose drawings were often done for their own sake, rather than as studies for paintings. Pietro's son, Alessandro, was also an accomplished painter. A paraphrase of Bernard Berenson states that "Longhi painted for the Venetians passionate about painting, their daily lives, in all dailiness, domesticity, and quotidian mundane-ness. In the scenes regarding the hairdo and the apparel of the lady, we find the subject of gossip of the inopportune barber, chattering of the maid; in the school of dance, the amiable sound of violins. It is not tragic... but upholds a deep respect of customs, of great refinement, with an omnipresent good humor distinguishes the paintings of the Longhi from those of Hogarth, at times pitiless and loaded with omens of change".

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